Showing posts with label high on the hog. Show all posts
Showing posts with label high on the hog. Show all posts

Wednesday, June 20, 2012

Sitting - and Eating - Pretty in The Catbird Seat, Part 2

Second of two parts

In which our intrepid diners face three more savory courses, then a sequence of desserts.

Josh Habiger and Erik Anderson
https://twitter.com/CatbirdRestrnt

With the preliminaries out of the way, we were now on to the first of three entrees: A lovely chunk of pan-roasted halibut, served with a wilted kale and crispy mushroom side, a smear of pureed kimchee, and a second sauce made up of pureed kale and coconut cream. This last was a little miracle of a sauce; it was completely homogeneous, bright olive green, and whipped to be light and airy. Watching Chef Habiger prepare the dish for other diners, we realized that he was using a whipped cream dispenser to add the sauce to the plate. Genius! Overall this was my favorite dish, I think. The fish was perfectly cooked, the accompaniments were wonderful and fun, the side was tasty and presented a nice texture contrast to the fish and velvety sauces.

Next we moved from fins to wings, and were presented with "roast chicken." This was chicken that had been minced or ground and combined with herbs and other seasonings, then encased in chicken skin, rolled into a perfect cylinder about 2 inches in diameter. The chicken was cooked, but the preparation before service was to slowly brown the cylinder on all sides in a cast iron skillet. This was served with a soft mound of smoked mashed potatoes, and a sauce that was a clear gravy that was the very essence of chicken. The whole was sprinkled with little bites of crawfish. I know it seems boring to declare such a thoroughly "normal," all-American dish as stellar, but this was my second-favorite savory course. As Scott said, "I didn't know chicken could taste like that."

The final main course was lamb. The menu I have just says, "lamb" without specifying the cut. The meat was garnished with chunks of onion, pecans, nasturtiums, and porcini mushrooms and a nice basic reduction. Conferring later, it turns out that Scott was under the impression it was lamb loin, where I could swear I heard the chef say it was lamb heart. Now, never having had heart of any animal, I have no experience to tell me whether the meat in question was indeed a heart or some other muscle. I've tweeted to The Catbird Seat's Twitter account to ask, but didn't get an answer. I suppose it will remain a mystery. Lamb is not my favorite meat, regardless of the cut. I'll eat it, but I never go out of my way to have it. So, the fact that I thought it was offal wasn't a huge factor for me. It was well-seasoned, cooked medium-rare. I ate about half of it and surreptitiously slid the rest of it over to Scott's plate; he was happy to finish it off.

There were, of course, more beverages. at one point we were served a black tea that had been infused with lavender and something that gave it a redish hue ... And then ... and then ... oh, it was a week ago, and I didn't make notes, do you expect me to remember any more?

The last group of courses were in some ways the most interesting. There were two that were sort of between a savory and a sweet, then two that were definitely in the dessert category. First was a small bowl that had plump juicy blueberries interspersed with beads of caramelized yogurt that had been infused with sweet hay, the latter being a specialty of Chef Harbiger. It was finished with wild rice and chamomile. For the next offering, the menu says, "Cucumber, lime, toasted rice, Thai basil." Unfortunately I don't remember much about it, other than (a) I liked it and (b) it was a little on the more savory/salty side than the sweet.

We had the option of having after-dinner drinks with the final courses for an extra charge. There was a host of alcoholic and non-alcoholic drinks available, but we both opted for basic coffee and cream. Finally came the true desserts. First was a little miracle of a maple custard, cooked in an egg shell. The trick, as Scott noted, would be cutting off the top of each egg shell, leaving the perfectly level and smooth edge, without causing damage to the rest of the shell. The custard was topped with a glaze of additional syrup, sprinkled with thyme, and served with a jaunty "chip" of bacon thrust into the center. This was not only clever, and clearly an homage to that accidental breakfast favorite of bacon that gets dipped in the pancake syrup, but it was truly delicious.

The last dessert course was a grand finale, recalling some of the more elaborate dishes earlier in the meal. A long, charred plank was placed in front of us. On one end of the plank was a scoop of charred oak ice cream, creamy and smoky yes, but not tasting too much of wood. (I typically dislike Chardonnay, in large part because of its often oaky taste, so I was grateful for more smoke than oak here.) The plank was scattered with chunks of a delicious yellow cake, slices of pineapple gelee, capsules of bourbon (or vanilla syrup, for the non-drinkers) that burst in your mouth, echoing the steelhead roe from earlier, and a large cherry crisp presiding like a large pink fan over the whole.

To finish the evening we went back to the beginning:  We were given two more "Oreos" -- this time the cookies were coffee flavored, and the cream filling was vanilla. They looked just like the savory ones we'd started the meal with, but they were a nice little sweet bite that brought the meal full circle.

It's hard to know how to wrap up this post ... the evening was full of so many sights and tastes, unusual combinations and new experiences, and most of all the fun of watching and talking to the chefs, to the assistants, and the beverage director. Best of all, though, it was a wonderful evening with a great friend who has taught me much about food and cooking over the years, and we always know we'll have a good time eating and laughing. It was a remarkable evening and I can't think of anyone I'd rather have shared it with.

Tuesday, June 19, 2012

Sitting - and Eating - Pretty in The Catbird Seat

The first of two parts

Yes, folks, I did it. I stayed up until midnight one night in mid-May so I could be online the moment that reservations opened up for June 13 at The Catbird Seat. The restaurant had been an instant hit when it opened in October; the stream of national press, awards, and recognition since then had only made scoring a reservation more difficult. My BFF Scott was coming to town, and I knew that he would appreciate the unique -- if expensive -- experience that Catbird offered. Reservation made, credit cards primed, we eagerly awaited the appointed time.


This is a restaurant that simply will not please everyone. It is a very particular type of experience. If you aren't a fairly adventurous eater, or if you equate portion size with "getting your money's worth" then this restaurant isn't for you. That's not a value judgement, just a warning. The Catbird Seat offers only a tasting menu. This is similar to what high-end restaurants such as The French Laundry and Alinea have become known for:  A fixed-price menu, made up of many small courses prepared at the chef's discretion. The Catbird Seat is very careful to check for food allergies or other restrictions, and can even tailor the meal to vegetarian, gluten-free, or other special diets. Beyond that, you have no say in what you are served. You do not order anything, you simply wait for the parade of courses to begin. You may choose one of two levels of wine pairings with your meal, or the non-alcoholic pairing. Scott and I chose the latter; as much as I like wine, I was probably more excited to see what interesting beverages would be concocted for us than I would have been for the wine.

At the appointed hour we pulled up to the valet stand. The valet was not there at that moment, but a woman with a smartphone in hand greeted us there on the sidewalk and asked if we were visiting Patterson House (downstairs) or The Catbird Seat (upstairs). She glanced at her phone and asked, "Are you Tracey?" I answered that I was, and the valet appeared at that point. After handing over the car keys, our hostess led us to an unremarkable side door in the building, leading into a very small entry way with an elevator. The elevator took us to the second level, where a short hallway with runway lights in the floor led to the restaurant space. She escorted us to our assigned seats, and the adventure began.

The concept of The Catbird Seat is dinner-as-theater. Thus, the kitchen is in the middle of the room. A U-shaped bar surrounds it, with about 20 comfortable, padded bar chairs. (Also included was my favorite feature at any bar ... hooks for purses!) In each far corner is a slightly curved banquette which seats four; one or two other patrons can sit at the opposite side of the table. The setup for beverage service is on the far wall between the banquettes. You watch the chefs and assistants prepare each course, and are able to chat with them as much as you like, as their work allows.

Our seats were on the end of one of the legs of the U. This was a great spot, as we were right in front of the workspace of Erik Anderson, one of the co-executive chefs. Chef Josh Habiger was on the other side of the "kitchen." (Unfortunately we were also very close to one of the banquettes, which was full of shrill "woo girls.") Other patrons were scattered around the bar, the gaps filled in as people arrived for their staggered reservation times. Each party's place was already set with water glasses and napkins and a thick paper place mat with an amuse-bouche for each of us. This evening it was an "Oreo" -- "cookies" made from porcini mushrooms, tasting of the very essence of earthiness, with a filling made with Parmesan cheese. This idea of dishes which were familiar on the surface, but surprising in execution, is the hallmark of meals at The Catbird Seat. There were definitely touches of cutting-edge technology and molecular gastronomy, but nothing was so precious as to be overly fussy, inaccessible, or unrecognizable as food.

NOTE: At the end of the meal we were presented with a souvenir menu -- a copy of the hand-written grid on which the courses were listed. Unfortunately the handwriting is not always legible, and I remember some variations between what's on the menu and what we were actually served. I think the menu also doesn't list all of the components of each dish. So, the descriptions below capture the gist, but not the absolute detail of each item.

After the amuse-bouche we were presented with a "snack plate" -- three small items presented on a long rectangular plate: A small raw oyster with cucumber juice and yuzu; a perfect sphere of soft yet sturdy cornbread that had been injected with bacon pudding; and an homage to Nashville's native dish, hot chicken. This last was a crisp, absolutely flat square of chicken skin that had been coated with molasses and cayenne, decorated with a white bread puree and dill powder garnish, echoing the traditional service of hot chicken with slices of white bread and slices of dill pickle. I had never eaten a raw oyster, so this was the first (of several) firsts for me this evening. We were also served the first of a parade of interesting beverages that had been made to go with the first two courses. Sommelier Jane Lopes not only makes the alcohol pairing selections, but also devises complex, unusual beverages for those of us not imbibing. Unfortunately I did not make notes about the drinks, but this first was a bitter lemon, slightly fizzy, with other flavorings and a wedge of lime.

The next course was beef tartare. This was another first, as I'd not had raw beef of any kind before. Typically tartare is served with a raw egg; our dish was instead topped with steelhead roe. Two tiny patties of local, grass-fed ground beef sandwiched a juniper condiment, then were topped with the roe, a generous grating of fresh, mild horseradish, and a fine dusting of charred bread crumbs. I wouldn't say I'd rush out and order tartare again, but I ate my portion happily.

Next we were presented with ham & egg: Shaved local country ham (similar to prosciutto in this presentation) topped with a local egg that had been cooked sous vide:  Poached for an hour at 140F. The plate was garnished with a generous smear of rhubarb mustard and a nice little salad of watercress, radish, & grilled ramps. The texture of the egg was unlike any I'd ever had: Soft, silky, "done" but nearly jelly-like. Unlike a soft-boiled egg or fried egg where the white may be solid or nearly so and the yolk still liquid, this egg was the same level of doneness all the way through -- a key attribute of sous vide cooking. This course was accompanied by our second beverage; I believe this was where we got the apple cider with multiple other flavorings and a touch of carbonation.

The finale: Main dishes and desserts